NOVGO.NET Chapter 851: The Art of Seeing People
Chapter 851: The Art of Seeing People
This woman had spent hours—actual human hours—learning about art placement, collector psychology, and light refraction angles. Not because she gave a single fuck about art. Because she gave a fuck about doing her job right.
"Thank you," Celeste said quietly.
Helena’s expression didn’t change. "Don’t thank me. Just tell me where you want the next piece."
Two Hours Later
They’d fallen into a rhythm.
Celeste would indicate a piece, explain its significance, articulate her vision in passionate, borderline manic detail.
Helena would calculate placement, test sight lines, adjust positioning with precision that bordered on obsessive, occasionally muttering things like "this angle makes the buyer feel superior" or "this one triggers mild existential dread—good for high-ticket sales."
And somewhere in that process, the conversation had started.
"So you just... left the CIA?" Celeste asked, unwrapping a canvas that depicted urban decay in shades that made her chest ache like someone had punched her heart. "Walked away from that whole life?"
"I was about to get fired." Helena positioned a sculpture. "Technically. Going rogue tends to result in termination. Usually with extreme prejudice."
"Why did you?"
"Go rogue?" Helena’s jaw tightened fractionally—the first crack in the armor Celeste had seen all day. "Because the people I was working for were more interested in protecting their interests than doing what was right. Because I saw opportunities to make money and took them. Because I was arrogant enough to think I was smarter than everyone else."
She moved a spotlight three inches to the left. Checked the angle. Moved it back two inches.
"I was wrong about the last two," she said simply.
Celeste recognized that tone. The weight behind it. The shape of regret that someone was trying to carry without letting it show on their face, because showing weakness was probably in the same category as leaving fingerprints at a crime scene.
"But you’re trying to be better now," Celeste said. Not a question.
"I’m trying to be useful and change myself along the way. Find something meaningful for my life." Helena straightened. "Peter gave me a chance when he should have handed me to my sister. I intend to earn that chance."
"Your sister being Ava...?"
"Ava. CIA. Currently in charge of monitoring Peter and deciding whether he’s a threat to national security." Helena’s smile was knife-thin, the kind that said family dinners were less "pass the potatoes" and more "pass the cyanide."
"Family dinners are complicated. Especially when half the table is trying to decide whether the other half should be renditioned to a black site."
Celeste laughed despite herself. "I bet."
She set the canvas down, studied the space they’d created. It was coming together. Actually coming together. The chaos was resolving into something intentional, something that told a story.
"Why art?" Helena asked abruptly.
"What?"
"Why this? You could do anything with Peter’s resources like your other six friends from Miami. Run a hedge fund. Start a tech company. Launch a fashion line. Why did you decide to continue your art galleries?"
Celeste was quiet for a moment, fingers trailing over the edge of a frame like she was touching something alive.
"Because art is about seeing," she said finally. "Really seeing. Not just looking at something and noting colors and shapes, but understanding what the artist was feeling when they created it. What they were trying to say. What they couldn’t say any other way."
She turned to face Helena.
"Everyone just looks at surfaces. Rich people, poor people, powerful people—they all just see what’s in front of them and decide that’s all there is. But artists? We dig deeper. We find meaning in things other people dismiss. We look at something broken and see beauty. We look at something ugly and find truth."
Helena’s expression was unreadable.
"That’s naive," she said.
"Maybe." Celeste smiled. "But I’d rather be naive and hopeful than cynical and right. Because cynicism doesn’t create anything. It just tears things down. Hope builds. Even when it’s stupid to hope, even when all evidence says you should give up—hope is what makes people try anyway."
She picked up another canvas.
"Like you," Celeste continued. "Everyone would look at your resume and see a rogue operative who betrayed her country. Someone who can’t be trusted. Someone who chose money over principle. That’s the surface."
"That’s the truth."
"That’s a truth. Not the truth." Celeste met Helena’s gaze directly. "What I see is someone who made mistakes and is working to fix them. Someone who’s brilliant and capable and loyal to the people who give her a chance. Someone who spent hours calculating light angles for an art auction she probably shouldn’t even care about but because she takes her job seriously and wants me to succeed."
Helena’s jaw worked. Some emotion flickering behind those cold blue eyes that might have been surprise, or gratitude, or anger at being seen so cleanly it felt like being stripped naked in public.
"You don’t know me," Helena said, but the edge was gone from her voice—replaced by something quieter, almost vulnerable.
"Not yet." Celeste smiled. "But I’m good at seeing past surfaces. It’s kind of my thing."
Helena held her gaze for a long beat.
Then, very softly: "Keep that skill. You’re going to need it in three days."
That Evening
The gallery was nearly complete.
Pieces positioned like soldiers awaiting inspection. Lighting optimized to make even the most cynical collector feel something—anything—besides the usual numbness of too much money and not enough soul.
The space had transformed from chaos into something deliberate and powerful, the kind of deliberate that whispered "you can’t afford to ignore this" while politely pretending it wasn’t judging your entire life choices.
Celeste sat on the floor, back against a wall, exhausted in the good way—the way that came from work that mattered, from muscles that had earned their ache, from a day spent building something instead of just surviving it.
Helena sat beside her. Not close. Just... present. Close enough that the silence felt shared instead of empty.
"You look soft now." Celeste teased.
"I don’t do soft," Helena said into the quiet, voice low like she was confessing a crime. "I’m not good at people. At trust. At letting anyone see past the armor."
"I know."
"But you’re right. About the cynicism thing." Helena picked at a loose thread on her tactical pants like it had personally offended her.
"I’ve been so focused on not being vulnerable that I forgot how to be... anything else. How to let people matter. How to hope that maybe I could be more than the sum of my failures. More than the rogue who got fired, more than the sister Ava has to monitor like a ticking bomb, more than the woman who calculates kill zones for fun and pretends it’s just ’security consulting.’"
Celeste didn’t respond immediately. Just let the words sit between them like a loaded gun on the table—dangerous, but not aimed at anyone yet.
"You know what I see when I look at you?" she asked finally.
"An ex-CIA operative with trust issues and a body count?"
"A really good canvas." Celeste smiled—small, real, the kind that reached her eyes and made them crinkle. "Lots of layers. Complex. Some dark patches, sure—blood-red streaks, shadow-black voids, the kind of marks that don’t wash out. But also strength. And potential. And someone who’s trying, which is the hardest fucking thing anyone can do when the world keeps telling you you’re broken beyond repair."
Helena was quiet for a long time.
Long enough that the gallery’s ambient hum—the faint buzz of spotlights warming up, the distant traffic of LA pretending it wasn’t dying—felt louder than their breathing.
"Thank you," she said eventually. "For seeing that. Even if I don’t deserve it."
"Everyone deserves to be seen." Celeste leaned her head back against the wall, staring up at the skylight where moonlight was starting to sneak in like an uninvited guest.
"That’s the whole point of art, really. Making people visible. Showing them they matter. That their story—whatever it is, however messy, however many bodies it left in the rearview—has value. Even if the value is just ’this person existed, and that existence wasn’t nothing.’"
They sat in silence for a while, surrounded by art that spoke truths its creators couldn’t voice directly—screams frozen in oil, rage trapped in bronze, longing woven into canvas threads.
"I still think you’re naive," Helena said.
"I know."
"But maybe that’s not a bad thing."
"I know that too."
Helena’s lips twitched. Almost a smile. The closest thing to soft Celeste had seen on her face all day.
"You’re annoying," Helena said.
"Part of my charm." Celeste stood, offered her hand. "Come on. Let’s get dinner. I know a place that serves wine in quantities that would concern a responsible adult."
Helena took the hand—firm grip, no hesitation—and let herself be pulled up.
"I’m not a responsible adult," she said.
"Perfect." Celeste grinned, already heading for the door. "We’ll get along great. You can tell me war stories, I’ll tell you gallery disasters, and we’ll drink until neither of us remembers why we were ever cynical in the first place."
Helena followed, boots quiet on the polished floor.
"Or until we remember and decide to burn something down anyway."
Celeste laughed—bright, reckless, the sound bouncing off half-installed spotlights like it belonged there.
"Even better."
They stepped out into the LA night—city lights glittering like broken promises, traffic humming like distant gunfire, the air thick with possibility and exhaust.